This 70% linen and 30% silk variation is distinguished by a deep navy-blue tone, enriched by the natural irregularities of the yarn that give the surface a tactile, sophisticated and deliberately non-uniform appearance. The colour approaches midnight blue in its deepest areas, while subtle blue and blue-grey reflections emerge as the fabric interacts with light.

The high linen content creates a dry, fresh and subtly rustic hand, enhanced by the characteristic slubs and variations of the natural fibre. Silk adds refinement, softness and a very restrained lustre. The result is a predominantly matte tie, far removed from the conventional sheen of pure silk and particularly suited to a more natural, contemporary interpretation of sartorial elegance.

With no conventional decorative motif, the texture of the fabric itself becomes the pattern: from a distance, the tie appears understated and almost solid, while closer inspection reveals the variations of the yarn and the depth of its surface. The knot retains the same natural character, defined without appearing excessively rigid; a slightly asymmetric Four-in-Hand is particularly well suited to its personality.

Deep navy makes this variation exceptionally versatile, especially for spring and summer tailoring. It pairs beautifully with écru or beige linen, light-grey tropical wool, navy hopsack, sand-coloured cotton and unstructured jackets in tobacco and earthy tones. A white shirt creates a sharper, more elegant contrast, while pale blue, écru or fine stripes produce a softer and more relaxed sartorial effect.

A variation that is understated only at first glance, created for those who appreciate the authentic irregularity of natural fibres, the depth of navy blue and a texture that takes the place of a traditional pattern. Its character lies precisely in the balance between the refined rusticity of linen and the discreet sophistication of silk.

This 70% linen and 30% silk variation interprets the fabric in a deep wine red/burgundy tone, made particularly distinctive by the natural irregularities of the yarn. Subtle variations run throughout the surface, with darker nuances tempering the red and creating a rich, deep and deliberately non-uniform colour.

The predominance of linen provides a dry, fresh and subtly rustic hand, with the characteristic slubs and irregularities of the natural fibre clearly visible within the weave. Silk adds refinement and a very restrained lustre, bringing depth to the colour without creating an overtly glossy surface. The result remains predominantly matte and tactile, with an elegance rooted precisely in its natural irregularity.

Rather than relying on a conventional decorative motif, the linen-silk texture itself becomes the pattern. From a distance, the tie appears almost solid, while closer inspection reveals variations in the yarn and different intensities of wine red. The knot retains the same natural character: defined without appearing excessively rigid, with a slightly asymmetric Four-in-Hand being particularly well suited to the fabric.

Stylistically, wine red offers a sophisticated alternative to traditional navy and brown. It pairs particularly well with navy, charcoal, medium grey, beige, tobacco and brown, as well as lightweight flannel, tropical wool, linen and unstructured tailoring. A white shirt emphasises the depth of the colour, while pale blue and écru create softer, distinctly sartorial combinations.

A distinctive yet measured variation in which the depth of wine red meets the natural irregularity of linen and the understated refinement of silk. A tactile and sophisticated tie for those who regard the character and quality of the fabric as an essential element of elegance.